Hamlet and The Spanish Tragedy - 654 Words

The parallels shown between Hamlet and The Spanish Tragedy demonstrate the influence Kyds play had on Shakespeare. The similarities can be seen throughout the plot lines and context of both plays. While using the plays as different tools, both are used for expediting revenge. Shakespeare, through the impact of Kyds play, established and perfected an ideal plot for a play expressing revengeful tragedy. The actions and thoughts that Hamlet shows greatly displays many characteristics from The Spanish Tragedy. Hamlet models himself after Hieronimo in the way he approaches revenge. However, Hamlet wants his victims to suffer not only on earth but in the afterlife. Kyd and Shakespeare utilize both meta-theaters to exact revenge and reveal guilt. The intention of a play within a play by Kyd is used for the format of Hieronimos death. It varies from that of Hamlet in layout and context. Hamlet plans precisely how he will avenge his fathers death and when he will strike. Hamlet exclaims, When he is...about some act/ That has no relish of salvation int--/ Then trip him...And that his soul may be damned and black/ As hell (Shakespeare III.iv.94-100). Killing Claudius in a sinful state will satisfy him, his father, and affect him by suffering in the afterlife as well. Hieronimo also plots his revenge, but is solely concerned with achieve earthly revenge. The Spanish Tragedy includes a play that is longer in duration than that of Hamlet. Kyd does this to allow the audience toShow MoreRelated Characteristics of a Machiavel in The Spanish Tragedy and Hamlet1163 Words   |  5 PagesCharacteristics of a Machiavel in The Spanish Tragedy and Hamlet  Ã‚   To understand a renaissance machiavel as portrayed in The Spanish Tragedy and Hamlet, it is necessary to find characters from both works that exhibit the characteristics of a machiavel (Plotting, secrecy and eventually murder). This is the difficult part, as most of the major characters in both plays exhibit some, if not all of these characteristics - while neither Heironimo nor Hamlet are villains, they both rely upon machiavellianRead MoreEssay on Heroes and Revenge in Hamlet and The Spanish Tragedy1389 Words   |  6 PagesHeroes and Revenge in Hamlet and The Spanish Tragedy In Elizabethan drama, it was accepted that the villains of the piece would, because of their evil methods and aims, be revealed and punished - in other words, justice would be served. The problem, however, arises when the heroes of the piece use the same methods as the villains. I use the term hero warily, as the traditional hero of a revenge tragedy is one who would at first seem completely unsuited to a revenging role; Heironimo is portrayedRead MoreThe Use of Supernatural Elements in Shakespeares Hamlet and Kyds the Spanish Tragedy1181 Words   |  5 PagesDiscuss the usage and effects that the supernatural elements have in both Kyds `The Spanish Tragedy and Shakespeares Hamlet. Ghosts or supernatural beings feature both in The Spanish Tragedy, written by Thomas Kyd, in 1587, and in Hamlet, written by William Shakespeare, in 1601. Ghosts and the supernatural `remind the characters and the audience of the constraints the past places on the present, and also the obligations the l iving bear to the departed . 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The genre appealed to the Elizabethan audience’s desire for blood and violence without emotional depth. ================================================================== Revenge tragedies originated in the writings of the Roman Seneca (4BC-AD65) whose plays heavily influenced Elizabethan dramatists. Seneca’s tragedies, using stories derived from mythologyRead MoreRevenge Conventions In Hamlet Essay1182 Words   |  5 PagesHamlet is a play written by William Shakespeare that very closely follows the dramatic conventions of revenge in Elizabethan theater. All revenge tragedies originally stemmed from the Greeks, who wrote and performed the first plays. After the Greeks came Seneca who was very influential to all Elizabethan tragedy writers. Seneca who was Roman, basically set all of the ideas and the norms for all revenge play writers in the Renaissance era including William Shakespeare. The two most famous EnglishRead MoreEmily Bronte s Hamlet And Wuthering Heights 1307 Words   |  6 PagesRevenge in Hamlet and Wuthering Heights Abstract This concise paper is an analogical study. It consists of three parts; the first one defines the word revenge and explains where the theme of revenge comes from and how it has expended to other types of literary works until these days. The second part of the study, is supported by exemplifies Shakespeare’s tragedy, Hamlet. The last part of the paper, provides Emily Brontà «Ã¢â‚¬â„¢s novel, Wuthering Heights as a good example; because one of the main themesRead More Shakespeare the Plagiarist Essay1262 Words   |  6 Pagesothers were in his great director and playwright skills. The play Hamlet is one of the most re-created and re-written books to date. Hamlet is still being performed in theaters around the world. Even though many people perceive Shakespeare as a literary genius, we can not give him sole credit for his plays and sonnets. With a few exceptions, Shakespeare did not invent the plots of his plays. Sometimes he used old stories (Hamlet, Pericles). Sometimes he worked from the stories of comparativelyRead MoreWilliam Shakespeare s The Spanish Tragedy 2479 Words   |  10 PagesThomas Kyd’s ‘The Spanish Tragedy’ follows the traditional techniques we typically assume will be in a revenge tragedy, and how Shakespeare’s ‘Hamlet’ follows these conventions as well as how Hamlet sometimes challenges the typical conventions of revenge tragedy plays and pushes them. I will also discuss the notion of revenge, as well as discuss how the two plays use the conventions of the genre to promote different ways of thinking about the ethics of revenge. Revenge tragedy was a popular genreRead MoreHamlet : A Classic Revenge Tragedy1103 Words   |  5 PagesHamlet is not like any tragedy. Hamlet is a classic revenge tragedy. All the revenge tragedies were popular in England during the late 16th and early 17th. A Shakespearean tragedy is built upon a central conflict which runs through from the beginning to the end of the tragedy until the conflict is finally resolved. The play is built upon the long, tragic conflict between Hamlet and Claudius and the conflict is built upon the figure of revenge. The Driving points that shapes the plot of play are